By Professor Timothy Corrigan, Anna Everett, Professor Sharon Willis, Professor Thomas Schatz, Linda Ruth Williams, Professor Dina Smith, Professor Bob Rehak, Professor Nora Alter, Professor Nigel Morris, Professor Karen Beckman, Dana Polan
The last decade from 2000 to 2009 is framed, at one finish, by way of the stressful disaster of the 9-11 assaults at the international exchange middle and, on the different, by way of the election of the 1st African American president of the USA. In among, the U.S. and the area witnessed the swift growth of latest media and the web, such normal failures as storm Katrina, political uprisings all over the world, and a huge meltdown of global economies.Amid those crises and revolutions, American motion pictures spoke back in a number of methods, occasionally at once reflecting those turbulent occasions, and occasionally ultimately couching historical past in conventional genres and tales. In American Cinema of the 2000s, essays from ten most sensible movie students learn such renowned sequence because the groundbreaking Matrix movies and the gripping adventures of former CIA covert operative Jason Bourne; new, offbeat motion pictures like Juno; and the resurgence of documentaries like Michael Moore’s Fahrenheit 9/11. each one essay demonstrates the advanced ways that American tradition and American cinema are sure jointly in refined and hard methods.
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Extra resources for American Cinema of the 2000s: Themes and Variations
The catastrophic annihilation of social spending together with a perverse array of tax and corporate breaks ensured the return of a mandarin class to 2000 — MOVIES, ANTI-CLIMAXES, AND DISENCHANTMENTS 25 the United States. The casualties will be the homeless and the working poor who will only continue to grow in numbers into the new millennium. Just as we follow Bateman’s character on his killing spree, amazed at how long it goes on, so too economists marveled at the financial bubble, watching it continue to expand until finally it began to burst in 2007.
A whole array of new legislation was drafted to protect the commercial interests of corporations. Metallica, the heavy metal band, filed suit against Napster, virtually shutting it down. Microsoft lost its first of numerous antitrust lawsuits. 8 billion (the largest fine to date) in punitive damages. S. Information Agency won a $508 million class-action suit against the agency for discrimination. Vermont became the first state in the nation to legalize civil unions for same-sex couples. Women and people of color moved into prominent positions: Hillary Rodham Clinton was elected senator from New York, and Ruth J.
S. S. visitors. Thus, while most Americans were focused on the pitfalls of domestic politics, new forms of systematic warfare were being plotted and executed against the United States. Movies engaged and escaped these tensions in a variety of ways. One of the more successful of films of the year about social and political issues, Erin Brockovich, tells the tale of a woman in a small working-class community who takes on and defeats a large corporation. Along with weather-disaster films such as Maelstrom and Hurricane, The Perfect Storm sketches the apocalyptic undercurrents of the new millennium in a drama about a fishing boat caught in a mammoth storm.
American Cinema of the 2000s: Themes and Variations by Professor Timothy Corrigan, Anna Everett, Professor Sharon Willis, Professor Thomas Schatz, Linda Ruth Williams, Professor Dina Smith, Professor Bob Rehak, Professor Nora Alter, Professor Nigel Morris, Professor Karen Beckman, Dana Polan